I took a ridiculous number of photos, some of which you can see below, and I took my inspiration for the cable patterns in this collection directly from a few of the decorative details I captured. I still enjoy messing around with songs from this period, but my cats do tend to object.Ī couple of years ago I was fortunate enough to visit Europe for the first time, and one of the big highlights for me was visiting Leipzig and its Bach Museum, churches, and Museum of Musical Instruments. We also produce matching Renaissance, Baroque and Classical bows in my workshop. Disc 2, trk 12.My interest in the seventeenth-century musical world is a long-standing thing - I studied various aspects of it in my university days, which I touched on in my earlier post Why ‘Baroque Purls’? At around the same time I took up playing the viol - badly - before moving on to singing, which happily was a much better fit for me. Gavotte from Partita III in E major by J.S. A smaller type of fiddle known as a “kit” or “pochette” was also used during the baroque era and is particularly associated with dancing masters who could keep it handy on the dance floor.īaroque Violin. The names of the individual designs - the Dowland Wrap, Tielke Shawl, Playford Hat, Jaye Mitts, and Simpson Cowl - are borrowed from seventeenth-century. One major difference in bow technique from modern to baroque is that baroque players allowed more of the bow’s own weight to rest on the string, thus allowing the bow_s natural proclivities to shape the sound - a soft attack, a swell, and a diminuendo. Twisted Strings is a collection of five accessories inspired by the decorative tracery found on Baroque string instruments, in unapologetic celebration of my particular brand of nerdery. Transitional bows with a kind of “battle-ax” head appeared in the second half of the 18th century and the Tourte bow achieved its current form ca.1785. He is also interested in other sympathetic. This is what is generally known as a “baroque bow” today. Sam is a luthier, making baroque-era stringed and bowed instruments and specialising in the englishe violet. There was also a preference for higher arched Stainer- or Amati type instruments over the lower arched Stradivari model favored today. A longer bow but still with a softer attack and basic diminuendo profile (both visual and musical) appeared in the late 17th century. This manner of holding the bow (along with the use of shorter bows best suited for dance music) lasted well into the 18th century in France but fell out of use much earlier in Italy. Early baroque bows are quite short and tend to be shown with the thumb of the player on the bow hair. One major aspect of string playing that changed somewhat through the baroque era involves the bow. Il Giardino Armonico: The Four Seasons, Enrico Onofri, soloist, Giovanni Antonini, director. Frontispiece to his Sonate Accademiche (1744).īaroque violin. This helps to explain why chordal passages, as in many works by Heinrich Biber and the unaccompanied Sonatas and Partitas of Bach, work so well on baroque violin.įrancesco Veracini playing violin. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. However, the baroque instrument is actually more resonant simply because the box is under less tension and vibrates longer after the bow ceases to move. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The use of steel strings instead of gut and a larger bass bar also help to make the modern instrument louder. The fact that the neck is angled back on the modern instrument means that the tension of the strings can be much higher without breaking the neck. The physical differences between modern and baroque violins mean that the baroque violin is softer. Sonata terza (excerpt) by Johann Schmelzer, performed by Ingrid Seifert with London Baroque. Baroque violin by Jacob Stainer (1668) in original condition (top) and modern violin by Vuillaume (1867) compared in profile.īaroque violin.
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